Fabric Haul and Future Projects, January 2017

I’m happy to report that I’m starting my year off with lots of new fabric, and many sewing plans! Once again I chose to put my Christmas money towards materials purchased in the NYC garment district, and today I’m sharing what I got and what I plan on turing them into.

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I went in with a flexible list of things I wanted to make and was lucky enough to find the perfect fabrics for most of them. I think I bought enough fabric for ten projects – after a few trim orders from etsy arrive I’ll be set for the next few months!

The first project on my shopping list is one I’ve wanted to make for a long time: a mid 17th century evening gown. I purchased material for one a couple years ago, and even got the bodice mostly constructed. But the fit was really off, and I didn’t go in with a solid plan so it was hard to overcome the problems I hit.

However I’ve learned a lot since then, and it’s still one of my favorite periods for fashion. I’m determined to make a dress that will do the era justice. I’m using a lot of reference photos for this costume, but my main inspiration is this funny little painting. I love the bold color, heaps of trim, and the hat!

With that in mind, I purchased eight yards of this orange brocade. It’s base color is peach, but it has rich orange and gold flowers woven into it. I love the sheen it has and think it will make a lovely gown!

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As happy as I am to have found a fabric in the color I wanted with such a beautiful sheen, I wish I had found it earlier. Because at the beginning of the day I came across a very pretty raspberry brocade and decided it was probably the closest I would get, so I bought it.

Now I have two brocades, and no real plans for the first one I bought. But it is beautiful! It doesn’t have the scratchy texture that most brocades have, it feels almost soft, with a very finely woven print. I think it will be lovely to work with whenever I find a use for it! I’m open to ideas.

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It also has a fair amount of body to it…I purchased six yards since it’s 60″ wide. I wonder if that would be enough for something Elizabethan? Though the color is a little unusual for that period.

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Also for the 1630’s ensemble I bought a yard of stretch velvet in a greyish blue. This is for the hat.

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I bought some brightly colored feathers for the hat too, which I think will help tie the costume together.

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And lastly for this project I bought three yards of embroidered mesh. I saw this while walking out of a store and turned back for it. I thought it would be perfect for decorative under sleeves – not the most accurate choice, but it’s so pretty! And it has sequins on it. I can’t resist sequins.

Much to my surprise, it was only four dollars a yard. So I got three yards of it, which should be enough for a decorative chemise. I think it may be too cool toned for this project (it looked warmer under the lights in the store). So I’ll probably wait to make the chemise after the dress when I have a better idea of what will compliment it.

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The next project I purchased fabric for is a simple medieval costume. I’ve been wanting to make another one of these for a while, since really enjoyed the Cotehardies I made this time last year.

I haven’t planned the design for this project too much, but I want it to consist of a front lacing kirtle with a surcoat layered over top. The project won’t have any embellishments, other than some trim on the hem of the surcoat (and that’s only if I can find any I like).

I purchased two medium weight wools for this project. It was quite the challenge finding these fabrics. The person helping me kept asking what I wanted, and all I could say was “Something with nice texture to it that will be $10 or less a yard” because I didn’t have a color in mind, I just wanted fabric with enough texture that it wouldn’t look boring despite the simple design.

Luckily we managed to find something, and I love it. It’s dark purple and  medium weight – too heavy for suiting, but lighter than a coating. I think it’s perfect.

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The second material I purchased is probably less historically accurate – I doubt that weave would have been possible in the 1400s. But I really like the weight of this, and think that texture will look awesome in photos. It was also one of the few fabrics I could find that looked nice with the purple (other options were black, or light pink).

If we’re ignoring historically accuracy, I’m really happy with this fabric. It feels almost like flannel, very soft but drapes the way you would expect medium weight wool to. I think both of these fabrics will be really nice to work with.

Side note: I was really impressed with the store I bought this from, Fabric Express. I’ve been in there before but only bought lace, or talked to the assistant. I was helped by the owner this time and he was really patient and I got great deals on everything – the wool, brocade, velvet, and lace fabric are all from this shop. Silk is cheaper at Diana’s Fabrics but this is going to become one of my go-to stops for other things.

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Another project I have planned is an 1820’s evening gown. I actually came across the inspiration for this while researching another idea I had. One of my search terms brought up this fashion plate and I fell in love.

I like the silhouette of the 1820s in general, but this dress is inspired by renaissance fashion while also having infamous details from the 1820s, like padded hems and trim, which makes it even better. I’ve never made a dress that incorporates padding, and it seems like a fun challenge!

I had hoped to find silk satin for this project, but it was very expensive, even in the garment district. So instead I bought silk shantung. I think the stiffness of this will really help with construction and creating the bell shape this dress requires…but it doesn’t have quite the look I was going for.

For the pink trim I bought cotton sateen. I’m actually disappointed in this purchase too, I feel like the shade of pink is too bright and cool toned. It makes me think of pepto bismol. So I’m going to keep my eyes out for sales and see if I can pick up a fabric in a better shade.

Aside from that, I’m really excited to get to work on this project. I think it’ll be fun!

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From Diana’s fabrics I picked up more silk shantung. This is the same shop I bought the bright orange silk from for my Pumpkin dress. I had so much fun working with that fabric that I knew I wanted to pick up more, this time with an 1880’s bustle dress in mind.

I went for a lovely copper color, that shines red and brown depending on the lighting. It’s really pretty and I’m sure it will be lovely to work with!

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From the same shop I bought the base material for a dress I plan on making, which is inspired by this painting. I’ve always been a fan of Russian court dresses, but they usually involve long trains covered in elaborate embroidery that would take teams of master embroiders 6 months to make. There isn’t any way I could take a project like that on myself without spending hundreds of dollars on pre made appliques.

Which is why I was very excited to come across this painting. It has some of the features of Russian court gowns that I really like, without the embroidery. Once again silk satin probably would have been more accurate for this project, but I found a polyester shantung in the color I wanted, with a beautiful two tone sheen, and a crispness that should make the pleats in the skirt easier. It was also $5 a yard, which is tough to beat!

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The color is kind of unappetizing, but I think the sheen and two tone effect will make up for that.

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For the front panel I purchased two yards of alencon lace. I think this will provide a good base for the heaps of rhinestones and embellishments that the skirt will eventually have.

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I plan on getting most of the embellishments online, but I did make the mistake of purchasing some at beads world. See that tiny bag on the right? That was $10 dollars. The bag on the left with 12x the number of rhinestones? It was $13. I goofed up by going to beads world first – I always forget how overpriced some of their stuff is.

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Also from beads world I bought white sequins in a variety of sizes/sheens, which I plan on using for the 1820’s dress. And some glass montees for the court dress and headpiece.

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On the topic of notions, I only purchased two trims on this trip (though I ordered a dozen others from etsy). The first is for the 1820’s dress, it’s a very soft and sweet lace trim with a few beads and sequins for embellishments. I thought this would be cute around the neckline and cuffs of the sleeves.

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I also purchased some woven trim. This wasn’t purchased with anything in mind, but I really like the weight of it and think the colors will be easy to match within my stash (or things I buy in the future) so I’m confident it’ll be used eventually.

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Now back to fabrics! The rest of these materials weren’t on my list, they were just things that caught my eye.

The first is a striped silk broadcloth. I love striped fabrics, especially the challenge of matching them up and playing with the different directions they can go. It’s kind of a pain sometimes, but it’s also very satisfying. Unfortunately it’s pretty difficult to find apparel weight striped fabrics that aren’t pin striped. So when I came across this: Striped, light weight and in the color I have a weakness for…I needed to take it home with me.

I purchased eight yards of it. But it’s quite narrow, so I picked up five yards of cotton sateen in a matching color to compliment it. The striped fabric was from Hamed Fabric, and the sateen was actually from Jo-anns.

I plan on using these for a seaside costume – either from the late 1800’s or early 1900s.

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Another striped fabric that caught my eye is this lightweight polyester. It feels like a softer version of taffeta, without the sheen. I really liked the width of the stripes in this, and the tweed texture on the material between them. I though this would work well for a bustle dress, since I could play with the directions of the stripes in the ruffles.

It was the end of the day and I had gone over budget, so I only purchased five yards of it, which isn’t enough for a full dress. But I think it will be easy to match, since the main colors are white, grey, black, and dark red – I may even have a dark red cotton sateen in my collection that would match.

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A project I had in mind, but not on my list was a Renaissance ensemble. I’ve wanted to make another one of these for a while, but didn’t have enough brocade on hand for one. This one caught my eye because it’s an interesting color. I would describe it as a cool toned pink, but it has a strong gold sheen to it.

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It’s almost two tone, with how vibrant the gold is in the light. I think it will make a beautiful skirt!

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From another shop I bought two yards of metallic rose printed brocade. I had hoped this would match the other pink fabric, but it’s way too warm toned. However I think it will make a beautiful foundation garment – I’m making a few 18th century undergarments this year, and two of them are pink. A matching set of brocade stays would be quite lovely!

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The last fabric I bought was one I saw early in the day, but put back because it was too ridiculous. But then I kept thinking about it. Because it’s sparkly, and pink, and ridiculous, and just the time of thing I want in my life but probably won’t use.

However I know from previous shopping trips that when I think about a fabric that much, I usually regret not getting it. And at eight dollars for a yard and a half I figured it couldn’t hurt.

This is a pink mesh with metallic cording stitched on to form scallops and a floral pattern. Both edges have trim, with appliques trailing through the center. I have no idea what I’ll use this for but I really love it.

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And that’s it! I’m very happy with what I got, and excited to get started! Annoyingly I can’t begin on the more elaborate projects until some trim I ordered arrives, but that gives me a reason to finish a few WIP’s from 2016, so it’s probably for the best.

I hope you have lots of sewing plans for the new year too 🙂

Thanks for reading!

 

Fabric Haul, April 2016

Today’s post is an exciting one…or at least it’s exciting for me, because it’s a fabric haul! Which means new materials and new projects to work on.

The week before my birthday my dad and I went into the garment district and this is what I got during that trip – plus a few Jo-anns purchases since I couldn’t find everything I wanted in NYC.

This post is a bit different than usual, since I don’t have many sketches to share. Most of my future plans are in the idea stage and haven’t been transferred to paper yet, or are based off of paintings. But i’ll do my best to describe each project and include my inspiration photos!

Here is my swatch sheet that I made after getting home. I managed to get (almost) everything I need for seven projects which is fantastic.

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Now lets go through them in detail!

The first fabric I bought is for an Elizabethan ensemble based on this painting of Anne of Denmark. I plan on following the silhouette and detailing quite closely, but i’ll be making a few changes, as I always do. I’ve been wanting to take on an Elizabethan project since I got “In Fine Style: The Art of Tudor and Stuart Fashion” for Christmas, and this seemed like a good piece to start with.

I’d hoped to find a fabric with a larger, more subtle pattern, but I didn’t see any others that were green so at the end of the day I came back to this one and bought eight yards. It isn’t quite what I had in mind, but I do really like it! I just hope it isn’t too overwhelming once I make a full dress out of it!

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To go along with that I bought buttons! I don’t think metal buttons are very accurate for this period, but I fell in love with the shape and details of these so I bought them anyway. I thought I would have to order buttons for this, so finding ones in person was a pleasant surprise!

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This costume will mostly be trimmed with lace, which I already own and small gold ribbon, which i’ve ordered online. But I came across this gold/green cording which I thought would look nice on the bodice, so I got three yards. I also picked up two yards of velvet ribbon for the rosettes and two orange pheasant feathers for the hat!

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For the partlet and ruff I got a sheer cotton fabric. This is a really neat fabric considering it’s weight and color. It has a subtle plaid pattern  woven through it and parts of it have a sheen almost like mirror organza.

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From Diana Fabrics I got a plain cotton striped shirting, which is for a cycling ensemble I plan on making soon. I already have the other materials for this project (buttons for the shirt, plaid for the pants, and wool for the hat) so now I can get started!

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Also from Diana Fabrics I bought three yards of this striped silk taffeta. I love this fabric, unfortunately I didn’t buy enough of it to actually use it. I thought it matched another fabric I bought and would work for an 1880s bustle dress but it doesn’t at all. Hopefully on my next trip in they will still have it, then I can get another two yards and have enough for an 18th century Robe a La Langlaise!

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Speaking of the 18th century, I got a whole bunch of fabrics for an ensemble from that period. This is based on a few paintings from the late 1700’s and incorporates the loose wrapped headpiece (“turban”) trend that was popular at this point in time.

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I wanted this costume to have a warm color scheme and incorporate textured metallic fabrics, so when I saw this I grabbed it up right away! It’s a striped organza made from pink and gold threads so it has a two tone shift. It’s really striking in person, and might be a bit overwhelming, but I love it a lot.

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I tried to find a striped material that would compliment the organza, but they were all out of my price range. And the silks I found were a little more textured or pink than I wanted, so I went for a polyester shantung instead. It’s a light copper color that looks gorgeous with the organza. I got this at Amin fabrics, along with a few yards of pink taffeta which is a base for the organza.

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Since I couldn’t find a striped fabric I went back to the shop where I bought the organza (Zahra fabrics) and got two yards of a similar material, just in a different print. I’m going to use this for ruffled trim, which will hopefully jazz up the slightly boring shantung!

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Here are the materials all together, and you can see how the striped fabric looks over the pink taffeta.

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At a trim shop I found some pretty organza ribbons that were a dollar a yard, so I bought two yards of each. I think one of these might work as a sash for the costume,  and even if they don’t I’ll find a use for them someday!

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At Zahra fabrics I got four yards of an orchid colored satin faced chiffon. This is for a grecian inspired project I want to make soon – it won’t be historically accurate at all, but it will be very pretty!

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They also has a textured silk that I really liked, and matched the color scheme I had going, so I got a yard of it.

The final fabric for this project (on left) is a plain linen that I bought from Jo-ann’s. I’d hoped to find a foiled linen that had gold flecks in it, or something more interesting, but didn’t see anything like that. And when it comes to plain linen, it’s cheaper to buy it from Jo-ann’s with coupons than in the garment district.

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For the same project I got a bunch of beads and sequins from Beads World. I’d like to make a crown or shoulder piece with a floral pattern, and I thought these would work well for that.

Even though i’m not completely sure what this project will look like I really love the color palettes and fabrics I ended up getting for it. It’s made me realize that I don’t work with purple fabrics often enough!

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These things weren’t on my list, but they had them in the sale section at the front and I couldn’t resist. I use gold beads all the time so I thought these would be a good addition to my collection, and the leaves were too pretty to pass up! Ecspecially at $2 a bag.

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I also got some red beads and a tiny crochet hook. I’m going to attempt to teach myself the process of crocheting a beaded rope, and thought these would be good to start with!

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At Hamed Fabrics I came across a striped home decor fabric and fell in love. I had no idea what to do with it until I remembered this fashion plate. This project was on my list of tentative plans, but I didn’t think I would find a fabric in my price range that would work for this.

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But clearly I was wrong, because this is perfect. It’s a dark pink organza with opaque stripes that are outlined in gold. It’s such a pretty color, the texture is lovely, and looks gorgeous when it’s gathered.

Best of all is that it’s 120″ wide so I only had to buy five and a half yards, which came to a total cost of fifty five dollars.

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To go underneath that I bought a polyester taffeta (on left) and as a contrasting fabric for piping and bows I got a pinstriped gold fabric. These all look wonderful together and i’m really excited to use them.

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From the same shop I found a striped polyester organza with opaque off white stripes. This was another fabric I was happy to find, since it reminds me of the ones used for this Chemise a la Reine. I plan on making something inspired by that painting and some of my favorite John Hoppner works from that period (like this and this). The end result will probably be a very light, yet structured dress.

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I bought some shantung to go underneath it, but I might use a  lighter weight fabric as a base to keep the gauzy effect.

I also got two yards of silk taffeta to create a sash and trim the hat. This taffeta is the exact same one I used for my Royal Milk Tea costume back in the day, and was also used to trim a Chemise a la Reine-ish dress I made a couple years ago!

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From Amin Fabrics I bought this soft dotted net, which i’ll use to make neckerchiefs for a few projects. And at Zahra fabrics I found the same maroon/brown material I bought a few years ago. When I purchased this the first time it was for an 18th century project that ended in total failure, then the remaining yardage was used for my 1890s Paid Ensemble. I loved that fabric a lot and was sad to use it up, so I jumped at the opportunity to get more of it.

I bought three yards and I think i’ll reattempt that 18th Century project someday – three yards should be plenty for a jacket.

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Another good find from Zahra fabrics was this brocade. It’s the same type of material as the one I purchased for the Elizabethan project, but is in a much brighter shamrock green that my camera refuses to do justice. It has gold stripes woven throughout and is ridiculously pretty.

Unfortunately they only had three and a half yards, which isn’t enough for the dress I had in mind. But I bought it anyway and am determined to do something with it someday!

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From the same shop I got four yards of dark green satin faced chiffon (on left) and two yards of a striped jacquard. I was going to use the chiffon for an edwardian dress, but didn’t find any lace that matches it. So I need to browse etsy for something that will work, or put the project on hold for now.

The jacquard was supposed to be for a bustle dress, but I didn’t find anything that matches it. So that’s on hold for now as well!

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A project I did manage to get all the materials for is a very simple Victorian riding habit. I’d never seen one of these before but fell in love when I saw this picture. I’m not sure why I like it so much, but I think it’s very striking!

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I must have looked at hundreds of black suitings before picking this one. I wanted something that would look nice when it was draped and this is the only one I found that had a subtle sheen to it and was in the weight I needed. So I got six yards, which should be plenty.

I also found some filigree metal buttons on etsy which probably aren’t accurate, but should add some Victorian flair to this simple design.

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At Joann’s I got a yard of white cotton sateen, which i’ll use for the collars and cuff. And at Hai Trimmings I bought a bundle of rooster feathers for the hat. I fell in love with these last time I went in but didn’t want to buy them without a purpose, so I was happy to finally have a use for them!

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From Hai Trims I also got more of these resin “stones”.I bought orange ones on my last visit to the garment district, and couldn’t resist getting more this time around. I picked up three packets of the blue ones…

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And three packets of the green ones.

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The last notion-y things I bought are fluffy ostrich feathers – three in a warm white color, one in ivory.

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And a bunch of smaller ones in a warm white, plus two raspberry colored ones. I have a couple projects in mind that require light colored feathers, but I mostly got these just for the sake of having them around.

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The raspberry colored ones were bought for an Edwardian project (inspired by this), but I didn’t find velvet in the color I wanted so that project is on hold for now. However I did find this lace, which is hideous in that kitschy way that makes it perfect for something from the early 1900s, so I bought a yard of it with that project in mind.

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I bought a bit of red cotton sateen just for the hell of it. I thought this might be fun for an 1830s dress, similar to this one. I’ve used this material for a few projects in the past and it’s great to work with and super cheap, so getting more seemed like a good idea even without a plan in mind!

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The final two fabrics I bought are for a dress based off this one. I came across this dress recently and was immediately obsessed with it. The shape! The flowers! The draping! And the ruffles…what more could you want?

I’m not sure why but right away I knew I wanted this dress to be made from velvet. I planned on using black velvet for the dress, but the draping isn’t very visible on black, and the other dark colors (brown, blue, purple) weren’t as elegant as I liked. I wanted green, but couldn’t find any, so I choose this dark raspberry colored one. If it looks familiar that’s probably because I bought some on my last trip for a different project.

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To trim the dress I bought silk satin. The edges of this are slightly discolored, which I’m frustrated by, but it seems to be unavoidable when buying ivory fabric from the garment district (I swear the shop lighting hides all fabric flaws).

For the ruffles of this dress I bought matte black tulle, which I think go nicely with the silk and velvet.

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That is everything from the garment district but I did make a few sneaky Joanns purchases that I wanted to include. On my most recent trip there I was really impressed by the new (summer?) collections and trim selection – everything was nicely stocked for once and I saw a lot that I really liked.

I ended up getting five yards of pink chiffon that has an iridescent vine pattern on it. When it catches the light it reflects all the colors you can imagine. It’s really, really pretty. Probably one of my favorite fabrics I’ve ever seen. I got two yards of it in an off white color as well.

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Then to go with that I bought one yard of a textured organza. This has satin flecks in it, a mottled pattern, and glitter woven into the base. This one was ridiculously priced ($30 a yard!) but with coupons it was half that, and a little more justifiable. I have no idea what i’ll use these for but I see some sort of medieval inspired dress that looks like a bridesmaid gown in their future…

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The last thing I bought was this trim! Which I was also very impressed with. I got two yards of it which is enough to edge the cuffs/waist of a dress. Not sure what it will get used for either, but I liked it enough that I didn’t care!

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And that’s everything! I’m currently working on my Civil War Era evening gown and a few other projects so I won’t be using any of these materials in the immediate future, but they will be making more appearances on my blog soon!

Thanks for reading!

Garment District Haul, Fabric & Trim

It’s been more than six months since my last one, so I think it’s time for another fabric haul! I usually go into the Garment District twice a year, once around my birthday, and once before Christmas. So this trip was a little bit out of the ordinary for me, but it came at a perfect time since i’ve been feeling quite uninspired recently. But I think having the opportunity to plan a few new projects and purchase fabrics for them was just what I needed, I’m feeling very excited about everything I got and the things I plan on making with them!

I was mostly shopping for materials for three projects and I ended up being really successful.  Here are my swatch cards for those projects.

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I had a list with me, and at the top of the list were materials for a Burgundian dress. I actually bought the trims for this dress first, so I had to find a material that matches those. I was expecting this to be a challenge, because my fur trim for the dress is a greyish brown, and the beaded trim I bought is a bright gold. Finding a fabric that goes well with gold and a cool toned brown isn’t something i’d classify as being easy.

But I got really lucky! The first fabric store I went into had just what I needed: A beautiful blue jacquard with a gold scroll print.

I’d sort of expected this project to be red in color, because that is a color I really gravitate towards. But the cool tones in the blue went really nicely with the fur, and the gold perfectly matched the beaded trim. This fabric is part of the 120″ wide home decor collection that i’ve used before, and since it’s so wide I only had to buy five yards.

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Here it is in the store, Zahra fabrics. It’s sitting alongside a gold brocade, which I ended up buying for the same project.

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Burgundian dresses are usually worn over kirtles. In medieval times these were slim fitting, long sleeved dresses which get wider towards the hem. The neckline of this kirtle will be visible when the Burgundian dress is worn, so I wanted a fabric that went nicely with the jacquard, but also had enough contrast to be interesting.

I found this gold and silver brocade which has a geometric print to it and knew right away that it was perfect. Not only is the shade of gold spot on, the silver threads tie in the cool toned theme and go beautifully with the blue.

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At another shop, which I can’t remember the name of, I got this beautiful beaded trim which will be used on the neckline of the kirtle. Usually trims embellished with seed beads are way out of my price range since they are more expensive than sequined trims. But this one was reasonably priced, and I thought the design was too lovely to resist.

Unfortunately I didn’t buy the amount I was supposed to – I had 2.5 yards written down on my list, but only purchased a yard and a half. So I won’t be able to use it around the waistline of the Burgundian dress, which sort of sucks. But I should have enough to use it on the kirtle, and if enough is leftover I’ll put some on the headpiece which will match this ensemble.

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The next project I was shopping for is a Cotehardie. This is another medieval garment and I actually plan to make two of them – one inspired by the female version of the garment, and another inspired by the mens version. The women’s version is quite similar to the kirtle, but it’s made from heavier material and is usually more embellished. Which means they are more of a standalone garment than a layering piece.

The mens version looks like a fitted jacket, though it’s less hardy. They extend past the rear, almost like a dress, and were frequently worn over slim fit pants.

For the women’s version I found a beautiful blue velvet which I thought would be the perfect base fabric.

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Then I found another brocade, which is a bit more subtle than the gold one. I love how much texture this has, I think that will read well on camera. It also has gold in it, which will work well with the gold trim I bought earlier in the day with this project in mind. It is also in that light blueish grey shade, which is quite similar to the fabric I picked for the Burgundian dress. That wasn’t intentional at all, but I don’t mind too much, I think it’s a pretty color!

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The trims for this dress were actually bought before the fabrics. These are trims that have been made with an embroidery machine, so the stitching of them actually looks quite similar to the embroidery on garments hundreds of years ago. Which is why I thought they were the perfect choice for a medieval costume!

I got four yards of the bottom one, and a yard of the top one. The top trim will be used to trim the sleeves, and the bottom one will decorate a sash at the waist of the dress.

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Here are the fabrics for this costume all together!

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For the mens version I decided against velvet, since I thought it would look out of place. Instead I bought a navy wool suiting, which is quite similar in color but lighter in weight. I got three yards of this, which is probably more than I needed. But at least if I mess up i’ll have extra!

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Mens cotehardies are often worn with capelets. Which meant I was on the hunt for a sturdy wool coating. I ended up lucking out and finding one in the same greyish blue color as the brocade I bought for the women’s version. These pieces don’t have to match, but I kind of love that they have the same color scheme.

I only god a yard and a half, but I think that will be enough. This wool is very heavy and has a lovely texture, I bought it for $15 a yard which I think was a good deal!

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I didn’t find a fabric I liked for the bottom half of the mens cotehardie ensemble, but I was okay with that. I have this four way stretch knit in a champagne color with gold threads running through it, which I think will work really nicely for a pair of leggings to wear underneath it.

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Cotehardies are also known for having a crap ton of buttons. They extend down the front of the garments and up the sleeves until past the elbow. In those times buttons were more decorative than they were functional, which is why there were so many of them.

NYC isn’t the cheapest place to buy buttons, so I didn’t get any there.  I ended up ordering from this shop on etsy that was selling 20 half inch buttons for five dollars. I bought a hundred, which should be enough for the two costumes!

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With fabrics for the costumes I had planned found, I was mostly in browsing mode. But I had a few things left on my list. The first was a sheer light brown fabric with silver threads running through it – this may look familiar if you’ve seen my birthday haul, since I purchased two yards of it on that trip. I recently decided to make that fabric into a long shift, to wear under a future project. But two yards wasn’t enough for that, so I picked up two more yards.

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The other thing I planned to buy were small montees from Beads World. These are for my 1630s taffeta dress, which I will hopefully be starting on soon. I had planned on buying clear ones, but these taupe-y/champagne colored ones caught my eye so I bought those instead. I think the shape and tone of these is a bit more interesting than clear square ones!

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And pretty much everything else are impulse purchases. I managed to only buy one fabric that wasn’t on my list, and that’s this neat iridescent blue material that has a gold shift to it. I used this type of fabric for my Silvery Blue Dress earlier this year, but had no idea what it was called. The store owner called it Cotton Fallie, so let’s assume that’s the name for it. I picked up three yards and i’m sure i’ll find something to make with it eventually!

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I saw this greyish blue sequined trim and fell in love. It was thirteen dollars a yard, which is more than I like to pay for a yard of anything, much less trim, but I couldn’t resist! Something about the pattern and color really stood out to me. I think around the waist or collar of a dress this would look lovely.

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Speaking of greyish blue trim…

I also picked up four yards of this lace. Do you see a pattern in my purchases? It was totally not intentional, but it seemed all the things I really liked were in this color! This was in the case at the front of Zahra fabrics when I went to pay. They only had four yards, and I believe it was $35 for all of it. I think that’s a pretty good deal, plus with the design of this lace it can be fussy cut out so you have two borders, which gives you eight yards of trim.

I think i’ll use this to edge the hem and hood of a cape. I think my Silvery Blue Dress would look lovely with a big cloak overtop, and this trim matches that dress really nicely. The sequins on it look almost like snow when the light hits it, it’s really beautiful. When it gets a bit colder and we start to get snow i’ll add that to my project list!

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Lastly I have a pile of things from trim and bead shops. The first thing is from Pacific Trimming, where I got this gold clasp. I might use this on the wool cloak and pair it with the mens Cotehardie ensemble, or maybe i’ll save it for something else. I just really liked it!

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At Hai Trimming I went a little crazy. I got twelve of these brass stampings which I plan on soldering together to create a crown. I also got some brass cameo frames, because they were two for a dollar, which is a lot cheaper than i’ve seen them online.

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Then I saw these beads and I couldn’t leave without them! I think they look like the eyes of a dragon, with the bright orange and red veining. Not sure what they will get used for, but they really stood out to me. I got twelve of the smaller ones and three big ones.

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I also picked up some in a purple color. I have heaps of purple velvet and some purple satin which are collecting dust in a bin on my top shelf. These match those fabrics quite nicely, so maybe I can come up with a design that incorporates all those materials.

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I saw these in Beads World and really liked them. They are circular metal beads which almost look like buttons. They are quite heavy, so I’m surprised a pack was only $2.50. Not sure why I liked these so much, and I don’t know what i’ll use them for, but I think they would look quite nice on the front of a jacket or up the cuffs of a dress!

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Then I got sequins! The two packs on the left were the first things I bought that day. I was kind of looking for lace that could be turned into a 1920s evening dress. I was imagining that project would have a light pink or green color scheme, so when I saw these sequins that had both of those colors I decided to buy them. The burgundy ones were bought with my medieval projects in mind, because I was so certain that one of them would be dark red.

Jokes on me, I couldn’t find lace I liked and the other project ended up being blue, not red. But i’m sure these will come in handy someday!

The feather shaped gold sequins were bought because I loved them. No idea what these will be used on, but I’ve gone through half the circular gold sequins I bought last time I was in. So I think gold feathered shape ones actually have a decent chance of being used.

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The last thing I bought isn’t from the Garment District, it’s from ebay. And it’s a real leather hide! This isn’t something I ever expected to be buying, and i’ve never worked with leather before, but I really want to try making a pair of 19th century slippers. Specifically velvet covered slippers that are embellished with sequins, which will match a court gown made from the same materials.

I think leather is the right material for that, and the flexibility of real leather will make a difference over the pleather alternatives. So when I found this on ebay for $20 I decided to get it – i’m kind of nervous but excited to attempt this project. It might go really wrong, but if it goes well I can say i’ve made a pair of shoes, and that would be quite neat!

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And that’s it! This post is absolutely massive so i’ll end it here. Thank you for reading!