The Making of Elsa – Frozen – Part Four

This has been the a very difficult and unusual post to write. Usually I pick costumes that are challenging, but relatively quick once I figure out how to make them. This was the opposite – It was a easy, but very, very time consuming. It’s also not a very interesting process, so I’ve padded the post with a lot of photos.

If this if your first time visiting my blog I would suggest checking out my previous posts about this project, they can be read here, here, and here!

Immediately after seeing the movie I knew what I wanted to use as embellishments. From prior experience with rhinestones, I knew that they shine in a way that almost looks like freshly fallen snow, producing a much prettier and sparklier look then anything else.

They can be used closely together to create designs, farther apart to create a gradient, or applied individually. This meant that I could use them to create the sparkles on the cape, sleeves and bodice, and since they would all share the same embellishments, it would made the entire outfit look more cohesive.

I have decided that I won’t bore you all too much with explaining the types of rhinestones, glues and applicators that are available.If I did, this post would be around five thousand words long. But if that sort of thing does interest you, you are in luck! I have created a separate post on my tumblr that can be read HERE. It answers a lot of the questions I’ve gotten, and has information and tips on everything related to rhinestones.

Moving onto talking about the costume! I originally purchased seventy thousand rhinestones, which didn’t end up being enough, so I made another order several weeks later. In total I used a little over a hundred thousand rhinestones on the entire costume, ninety thousand were 3mm stones, and ten thousand were 2mm stones. Seventy percent of them were clear (silver/white) stones, and the rest were a light aqua color.

This picture shows around half the stones I ended up using.

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I also bought six tubes of E6000 glue from amazon, a set of syringes (glue applicators), cotton swabs (rhinestone applicators), and a bit of fabric glue. Once I had all my supplies I was ready to get started!

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In my last post I talked about drafting the patterns for the designs. Once I finished drafting the designs, I did something very important – I taped wax paper over top of them. The glue I used for the majority of this costume is E6000, and the chemicals in it make both sharpie and printer inks run, which can leave permanent stains on the fabric. Like this…

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If that doesn’t happen, you will still be screwed since there is no good way to get paper off of dried industrial strength glue. The wax paper creates a barrier between the paper and fabric which fixes both of these problems. When I ran out of wax paper, I used plastic wrap and found it worked well, but was tricky to perfectly smooth.

This is what my set up looked like when I was working on the large designs. The whole thing laid out flat as I could get it with the space I had available, with the edges weighted down by mugs and jars.

Thanks to a wonderful christmas gift, I had the ability to watch netflix while doing this.

(though I ended up running out of shows I was interested in, oops)

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As I said earlier, the process is very easy, it’s just slow. You have to spread the glue over a small space, usually a square that’s no more then two inches by two inches (any larger and the glue will dry before you can get to it) or a line that is less then ten inches long.

Then use a wet Q-tip to pick up rhinestones and deposit them where they need to go.

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I estimate that this back bit of snowflake ended up taking forty hours of work.

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And though this seems pretty minuscule, just the sections pictured below is around 10~ hours of work.20131224_161742

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Eventually, I had enough of this finished that I could take it off of the paper.

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It didn’t look like a whole lot at this point. But I was happy because this meant I could move on to adding the snowflakes. In my last post I talked about resizing them to fit properly, and that process continued on and on until I had enough snowflakes for every panel.

This is the front panel – this photo shows how easy it was to see the pattern through the fabric.

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And the (tentative) layout for the side panels.

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In total I embellished fifty snowflakes, and here they all are (well, half of them, since the cape is symmetrical)

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The process of embellishing snowflakes was very similar to the main design, but instead of spreading the glue with a brush I used syringes, which allow for very precise dots and lines.

Not long after I started I ran into the issue of fabric not staying in place properly. It tended to wrinkle or move while I was trying to apply stones, and it became very frustrating. So I taped two pieces of foam board together and covered it in wax paper. Since it was foam, I could pin through it, and pin my fabric in place so it stayed taught.

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Back panels (almost) done!

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The front panel almost finished.

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The side panels…

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And then I was (almost) finished with all the snowflakes!

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So I got back to focusing on the main design. We happened to get a snow day, which meant my view got way prettier and more inspiring then usual.

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It also distracted me. Some much so that I ended up dragging my dress form into the snow for some fancy WIP photos.

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Though it looks relatively close to being done, I had to put twenty more hours into it before it was actually finished. At this point I was so tired of the project that I stopped taking photos. (oops)

And though I don’t have photos of it completely finished just yet, here it is at 99.9% done. In total I spend around 170 hours on the cape, 168 of which were spend embellishing.

It was super time consuming, but in the end I’m happy I did it this way. It’s always been a dream of mine to make something really sparkly and wonderful, and i’m happy to say that it’s come true!

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Upcoming posts: Making 17th century bodies, Making a Grey dress, and the final post in The making of Elsa!

The Making of Elsa – Frozen – Part Three

Time sort of slipped away from me and I didn’t quite realize how long it had been since my last post, oops!

I’ve been busy with projects throughout the past few weeks. My primary focus has been Elsa but I’ve also been working on a bunch of mock ups and original designs, some of which are historical based and others that are somewhat casual. I don’t think a day has gone by that I haven’t worked on something for at least an hour – it’s been great.

Most of my precious hours of productivity have been eaten by Elsa. This costume has been such a huge undertaking, even more challenging and time consuming then I had originally expected! But I’ve really enjoyed the opportunity to make something really detailed. It’s always been a dream of mine.

So that’s what I’m going to talk about today. I originally planned on only having three posts about the making of Elsa, but I’ve given up on that and will be happy if I end up with five. I have tons of photos and information to share about this, and I don’t want to scrunch it down.

You can read my previous posts about this project, here and here.

This particular post is on the drafting process for the cape/train. I will talk all about embellishing it in a later post (I actually hope to make a video on the process but I haven’t gotten to it yet)

For Elsa’s shirt and cape (or as some people have been calling it, her train) I chose to use stretch mesh. It’s a material that looks like tulle, but feels much softer and stretches in all directions. Sadly it doesn’t drape as nicely as chiffon or organza, but since it’s stretchy it will work better for the shirt.

I won’t even have to worry about adding a zipper, or hemming anything since it doesn’t fray!

I purchased eleven yards of stretch mesh, one yard for the bodice, and ten yards for the cape.

I cut the ten yards into three chunks, two that were three yards long and one that was four yards long. Then I pinned them very roughly onto my dress form to make sure I had enough length.

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It doesn’t look like much, but I was actually really happy with it haha. I had plenty of length, and I could tell I had enough fabric for the volume I wanted as well.

I knew I wanted my cape to be six panels, with a seam down the back. So my next task was cutting each length of fabric in half, so they could create two panels. Instead of cutting them in half the way you would expect, I cut them diagonally so I could save the length.

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Then I pinned the longest panels onto my dress form. I made sure to adjust my dress form so it stands at my height, plus a few inches to account for the heels that go with this costume.

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I repeated this with my other pieces of  fabric, and then I had something that looked a little like this:

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(sorry for the messy background)

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The whole thing got sewn together, and then I was ready to start figuring out the snowflake pattern! I must admit that I took some artistic liberties here. I really loved how the cape looked in the movie, but when I began sketching out the snowflake pattern in real life, I realized if I made it accurate, the pattern would be very blocky.

And I don’t think of Elsa as a blocky character. She’s all smooth and shiny and sleek. So, for obvious reasons, I wanted it to look smooth and shiny and sleek. I tried to keep the shape of the snowflakes similar to the way they are shown in the movie, but softer and with more detail.

I laid the cape flat on a giant sheet of paper, then traced around it and marked out all the seams.

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 I used a ruler and french curves to draw out the giant snowflake.

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Once I was finished, I taped wax paper over the entire design, and pinned the cape over top of it. Since the fabric is sheer, the design is easy to see through the cape. This way I have a guide for embellishments.

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Now moving on to getting the smaller snowflakes onto the cape!

I started by going into photoshop and figuring out (roughly) where the snowflakes should go, and what size they should be.

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I decided to conquer these panel by panel so I wouldn’t get to overwhelmed – right now I’ve just started, so I only have one panel complete. Luckily that’s enough to make an example out of.

I laid my cape piece over paper and traced out the area I needed to add snowflakes to. Then I used my guide to draw out circles in the rough areas where snowflakes needed to go.

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I measured the size of each circle and marked them clearly. Now I knew exactly what size of snowflake patterns I needed to print.

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When it came to printing I went into photoshop and did this:

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I ended up needed to print off four pieces of paper for this particular panel.

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Then I cut them out and taped them into the right places.

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I ran out of wax paper, so I improvised and used a layer of plastic wrap taped over the designs.

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Then I pinned my cape over top of that and was ready to embellish! During the embellishing process it looks a bit like this

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I hope you enjoyed!

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