Making a Fluffy, Feathered Dress, Part Three

This is the final post in a series of three, the previous two posts talk about making the dress and underskirt for this project. They can be read here. This post is about making the bodice overlay and sleeves!

(I’ve been calling it a reverse cardigan but “bodice overlay” sounds better so that is the official title)

My goal with this project was to create a dress with a lot of texture. I planned on achieving that by layering lace/chiffon/jersey/sequins and making it cohesive with a layer of mesh overtop. But I ended up disliking the effect, since the mesh muted the texture rather than adding any.

Which is why this overlay is removable instead of being attached to the dress.

The first step was draping. I wanted to make the overlay seamless, because seams in sheer mesh look pretty awful. Luckily the mesh i’m using is stretchy which makes that possible, but the mock up fabric was not. So I draped it with a single dart at the bust, then removed that when transferring it to paper.

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I seem to be missing a bunch of photos for this post, including ones of the paper pattern, which is a bit annoying! You will get a good idea of what it looks like later on so I guess it doesn’t matter much.

After transferring the overlay pattern to paper I cut it from the mesh. Then I pinned lace around the neckline.

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The lace got stitched on, then folded inward to create a nicely finished edge. This material doesn’t fray but the edges will stretch and pucker if they are left unfinished, which I didn’t want.

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I hand stitched the edges down, then trimmed the excess lace.

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I repeated the process on the arm holes. I had originally planned on french seaming these, but this ended up being easier and faster so I went with it!

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Then it was time for sleeves! My first sleeve plan was to make large bishop style sleeves from the floral mesh. I was so confident in that plan that I cut that sleeve pattern out. It looked like this.

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But after gathering them and pinning them onto the dress form I changed my mind. I felt that made the dress too top heavy, and the sleeves being cut from the same fabric as the skirt made the whole thing less “elegant” – even though that isn’t a word I would use to describe this dress.

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So I tossed that plan. Instead I cut slim fit sleeves from the plain mesh.

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They got the same treatment as the dress bodice. I stitched the ruffled jersey on first, then I sewed fussy cut bits of floral mesh overtop along with the few remaining scraps of lace.

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And that got covered with sequins! I made them more dense towards the wrist to create a gradient effect of sorts.

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After a quick try on I realized I made the sleeves a little short. So I added a ruffle, which is my answer to lengthening everything.

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I stitched the sleeves on and did up the side seams and bam, a functional bodice!

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But it was still missing closures at this point. Before wearing it I added two ties several inches apart, which looked like this!

These looked really pretty when done up on the dress form. But on me they looked really awkward and made it look like I had rolls of back fat. Soo this will have to be changed out and replaced with an extra mesh panel and zipper before ever leaving the house in it.

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I also cut out a waist tie! All of these are really wrinkly because this fabric irons horribly and I was too lazy to steam it before cutting. Which is bad, don’t do that!

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And that was it!

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I feel like the skirt should be an inch shorter. And that strap thing needs to be fixed, but other than that I really love this dress! I think it’s very cute all together. It is probably a bit too bridal-y to ever wear anywhere, but still significantly more practical than most things I make.

Thanks for reading! And if you enjoyed this post, I have a video that goes along with it. It can be watched here!

Christmas Angel Costume, Photos

I have some photos to post today! Finally the weather conditions were perfect for photographing my Christmas Angel costume. My dad and I went to a Christmas tree farm in December and photographed it, but it was so bright out (even on an overcast day) that you couldn’t tell the dress had lights in it! And the lights are the key feature of this dress. So I decided that the only good environment for photographing it was a stormy, snowy day.

We’ve had a few of those in NY this week. Last week we got thirty inches which was a little bit too much snow to walk about in a ball gown. Luckily a lot of it has melted and iced over, which makes it easier to wade through.

Yesterday we got six hours of icy rain – but just before the light faded it turned to gorgeous snow. Which led to a mad dash of trying to put on makeup, a wig, and a huge dress is less than half an hour. I succeeded…kind of! I had lipstick all over my teeth and part of the dress was stuck in the waistband and the petticoat looks lopsided, but we did get some photos before it got dark!

I think the photos I took inside are a better representation of what this costume looks like, but these ones certainly have a nicer backdrop and atmosphere!

Big thanks to my dad for taking the pictures for me!

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Thanks for reading!

Making a Silvery Blue Dress, Part One

Here is a new project! I started this when I was at a point where I didn’t have anything in progress and I didn’t feel comfortable starting on a big project because I hadn’t done enough research. So I chose a simple dress in a style i’m familiar with to keep me busy while I read up on elaborate dresses from the 1500s.

After watching “Galavant” I felt really inspired and decided to make a dress based off of Madalena’s Wedding Dress. Most of the costuming on that show drive me crazy (not in a good way), but I thought this dress was gorgeous, even if it isn’t anything near historically accurate!

I decided to use a blue brocade and a silvery blue ~mystery~ fabric that is silky on one side and matte on the other (definitely not satin or charmeuse). I talked about these materials in a Fabric Friday post ages ago, about how they were so pretty I couldn’t bear to use them. But now i’ve had them for almost two years and think it’s time they have a life beyond sitting in a box. I can always get more!

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I had planned on beading the bodice and creating a very full skirt but after deciding on the brocade and silver material I knew I wouldn’t be able to do either of those things. The brocade is delicate and I think it would catch on the beading, and the second fabric is too soft to form such a full design.

This sketch was done before I had picked fabric, so it isn’t quite accurate!

DSC_2015 I started by draping – this was a very easy pattern to drape!

This mock up features sexy delivery men. Of course.

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DSC_2017I removed it from the dress form and turned it into a paper pattern, which looks like this! Usually I would draft the front of the bodice as one piece, because princess seams didn’t exist in the 1400s. But in this case I wasn’t focusing on accuracy at all.

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I cut my pattern out from lining fabrics first. I decided to use scraps of batik – i’ve had these for ages and they are too small to use for draping and most mock ups, so it was nice to finally have a use for them! I think they look quite nice together too, funky lining makes everything better.

Once the pattern was cut out I sewed it together and tried it on – it was actually a pretty nice fit!

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 Then I cut  my bodice pattern out from brocade.

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 Which also got assembled.

DSC_2039 When all the seams were pressed I went through and stitched a 1/2″ away from the edge, around each edge. This prevents the brocade from fraying and creates a guideline of where to turn the edge over, without leaving any marks on the interior of your fabric.

(after the pen incident I have converted to using this method as much as possible)

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 I went through and turned over all the edges and secured them in place with a tiny running stitch. This is before it was ironed, the brocade is very delicate and prone to puckering so it didn’t look great at this point.

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 I repeated this process on the cotton lining. The only difference is that the center back edges were turned over by machine, and done in such a way that it creates a pocket. In this pocket I put a piece of plastic boning.

Without the boning whatever closure I add will be prone to bunching up, this solves that problem!

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 Speaking of closures, for this particular piece I wanted to try creating loops to lace through instead of eyelets. I made these by cutting one and a half inch wide strips of bias cut fabric – in this case I used the same fabric that will get used for the skirt.

I turned the edges inward, then folded them in half again. This is the same way you make bias tape, except I stitched the folded edges together.

I made twenty four two inch long pieces for the loops, and one piece that is three yards long to serve as the lacing.

DSC_2025 I pinned the bits of fabric (soon to be loops) onto ribbon.

DSC_2045 Then stitched over them a bunch of times. The end result were two pieces of ribbon with loops attached. Perfect!

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 Then I sewed these onto the back of the bodice lining and ta-da, a functional closure!

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Since the skirt fabric was now incorporated into the back of the bodice, I decided to bring some to the front by decorating the neckline with a folded bias cut strip of the material. I’m not sure why it is puckering a bit, I made it properly and ironed it loads. Luckily it looks find when worn, so i’m not going to get too upset about it!

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So that is it for this post. Because the next step was attaching the sleeves, and this post would be very long if I included that part too! Hopefully that will go up next week, along with another post. I’m going to try to get back onto my twice a week schedule because I miss it.

Thanks for reading!

Diaphanous Flower Dress, Part Two

Here is the second part of making my flowery dress! The first part, which talks about the skirt, can be found here!

The bodice of this dress is a simple sweetheart that drafted a few months ago for a different project. I actually planned to do a pattern making tutorial on this project, so I have nearly twenty five photos of how it was made! But this post will be long enough without those, so i’ll only show you two.

Here is the draped bodice on my dress form.

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And here is what the finished pattern looks like!

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Step one was cutting out all the pieces. This was made more difficult (by that I mean really annoying) by the fact I chose to make this bodice from sheer and slippery materials.

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Each piece was cut from two layers of tulle, a layer of chiffon, and a layer of organza. After cutting them out I hand basted all the layers together. I also used tape to keep track of which pieces go were – they sort of all look the same!

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The two front pieces were done a little bit differently, the tulle layers were assembled separately from the rest, this way I can attach flowers to the chiffon/organza layer and use the tulle as an overlay.

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The pieces are sewn together with a three quarter inch seam allowance. All the seams are pressed open, then turned under to create a quarter inch wide pocket. This finishes off the seams really nicely and creates a channel you can slip boning into.

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Here they are finished – not the most even stitching in the world, but this was my first time trying the technique, so i’m sure i’ll get better!

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I repeated the process on my front panels, then inserted plastic boning into all the channels.

Once that was done I began the process of gluing flowers onto the bodice! I started with some petals.

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I wanted to keep the flowers even on both sides, but I wasn’t aiming for perfect symmetry. Please ignore all the icky glue tails, a sweep with a lint roller removes them all!

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At this point it was time to add the tulle overlay…which looked awful. The seams in the tulle looked terrible and I wasn’t happy with it all. I also really disliked how the center seam looks, so distracting!

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I decided to cut the tulle to be all one piece, tulle has enough stretch that it doesn’t have to have a bust curve…at least not on me and my tiny bust.

For the center seam I decided to stitch a scattering of pearls and sparkly bits to create a little more visual interest, and hopefully, distract from the ugly seam.

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Then I basted my tulle layer on top. I like how this looks so much more then my original plan, just shows that you shouldn’t be afraid to change things that aren’t working out, that’s part of being an artist!

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I attached the front panels to the rest and added boning into that seam.

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I took a minute to try it on and though I could fit into it, it was a little snug and I was worried about the tulle ripping. I added an extra (very small) panel on each side which gave an extra half inch of room. A half inch was all I needed, and it fit so much better!

Then I moved on to the waistband, which is the only opaque part of this costume. I made it from white cotton sateen with an overlay of chiffon and tulle.

The pieces were basted together.

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Then the edges were turned under with a basting stitch.

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I set this aside for a bit and used lace to finish the top and bottom edge of the bodice.

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The waistband was pinned on.

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Then the top of the waistband was sewn on with very tiny hand stitches.

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The pins for the other side were removed and the skirt was sewn on.

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Then the waistband was pinned down again.

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And sewed on. It actually looked like a dress, which is great.

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I trimmed a few threads and sewed in a zipper, and the whole thing was finished!

But it was missing something. That something was an obnoxious floral headpiece. I made a simple flower crown of sorts, I don’t have any photos of how I made it, but I do have a video tutorial! It can be watched here.

The finished thing looks like this!

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And when that’s worn with the dress, the finished product looks like this.

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So that’s that! This dress didn’t come out the way I had hoped, but i’m glad that I stepped outside of my comfort zone and made it, because it was fun!

I’m also really flattered and amazed by the positive feedback i’ve gotten on this project. It makes me really happy to know you guys like it!

Thanks for reading!

Sketches, a Fantasy Inspired Bridal Collection

I decided today was a good day for a blog post. I just finished writing a very wordy tutorial and it left me in the mood to post something photo heavy! Fair warning, this post will be a little different then usual, since it’s centered around sketches i’ve done.

A month or so ago I was contacted by a bridal store and asked to collaborate with the owner to create a mini collection for Fall. You may recall me posting about some exciting news a while back, well, this was it!  I was super excited and worked hard to create six designs that I was happy with.

The owner seemed to like them too, but due to budget constraints the collection was delayed. Now it’s been a few weeks without contact so it seems like these designs will never be more then sketches. I’m sad, but still proud of the work I did, so I wanted to share it!

The goal was to create a fantasy inspired collection that was wearable and filled with unique touches that aren’t really found in existing bridal wear. The dresses are all designed to be very structured and intricately seamed but soft at the same time. I wanted to merge traditional silhouettes and modesty with something more modern brides might be interested in.

I picture them all made from a lightweight brocade, layered with silk organza, english net, and a lot of lace. I tried to design them in pairs but also keep a cohesive look to the whole thing.

My favorite one is the black one since it’s so daring!

Before I get into the colored sketches here are a few WIP’s.

 

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This was the first dress that I designed, and I think it’s my second favorite of the bunch!

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The companion piece to this was a slightly slimmer fit gown made from the same materials, with shorter sleeves and a longer train.

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After that is my favorite one – the store owner requested a black dress and though it took me a little while to come up with an idea this eventually became my favorite!

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The companion piece to this is a very similar dress, just made in ivory without sleeves.

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The last two were built to be more modern, this one would have had a detachable skirt.

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And this one is a very simple princess style dress in the front, with a flounce explosion in the back. I wanted this one to be made in a peach color with a lace covered bodice.

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Here is the collection overview;

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In addition to creating all of those sketches, I also did loose sketches of the bodice fronts and backs, as well as full body images of the dress backs.

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I think in total I did maybe thirty sketches? It was certainly an interesting process, and I learned a lot.

It’s really unfortunate I won’t be able to move forward on this project. Maybe some day i’ll have the money to fund it myself.

Thanks for reading!